On stage, a gallery of characters teeters on the edge of political commitment, betrayal, guilt, and silence. Actors Pep Cruz, Marta Marco, Erol Ileri, and Gemma Martínez find themselves entangled in a thriller exploring the gray areas of the human condition as they attempt to put words to the abysses of a family and, by extension, of society as a whole.
More than 50 years have passed since the dictatorships in Spain, Chile, Argentina, and so many other countries, and just when it seemed that tyranny as a form of government belonged to the past, it is more necessary than ever to remember how easily any of us could descend into evil, driven by frustration, resentment, or fear fueled by uncertainty and social complexity. Exploring the "gray areas"—our own gray areas—means confronting our complicity with horror.
